Why Does Art Often Have People Forming a Circle

The elements of art are components or parts of a work of art that can exist isolated and defined. They are the edifice blocks used to create a piece of work of art.

The list below describes each element of fine art. Larn about the principles of design hither.

Download a educatee handout containing a list of the elements of fine art and their definitions. (PDF, 168KB)

Line

A line is an identifiable path created by a point moving in space. Information technology is one-dimensional and can vary in width, management, and length. Lines often define the edges of a form. Lines tin can be horizontal, vertical, or diagonal, directly or curved, thick or thin. They lead your eye around the composition and can communicate information through their character and management.

Horizontal lines advise a feeling of rest or tranquility because objects parallel to the globe are at residuum. In this landscape, horizontal lines also help give a sense of space. The lines delineate sections of the landscape, which recede into space. They also imply continuation of the landscape beyond the motion picture airplane to the left and right.

Vertical lines often communicate a sense of height because they are perpendicular to the globe, extending upwards toward the sky. In this church interior, vertical lines suggest spirituality, rising beyond man reach toward the heavens.

Horizontal and vertical lines used in combination communicate stability and solidity. Rectilinear forms with 90-degree angles are structurally stable. This stability suggests permanence and reliability.

Diagonal lines convey a feeling of movement. Objects in a diagonal position are unstable. Because they are neither vertical nor horizontal, they are either nearly to fall or are already in motion. The angles of the send and the rocks on the shore convey a feeling of movement or speed in this stormy harbor scene.

The curve of a line can convey energy. Soft, shallow curves think the curves of the human body and oftentimes have a pleasing, sensual quality and a softening effect on the limerick. The edge of the pool in this photograph gently leads the eye to the sculptures on the horizon.

Shape and form

Shape and form ascertain objects in space. Shapes take two dimensions–height and width–and are usually defined by lines. Forms exist in three dimensions, with height, width, and depth.

Shape has only tiptop and width. Shape is usually, though not always, divers by line, which can provide its contour. In this image, rectangles and ovals boss the composition. They describe the architectural details for an illusionist ceiling fresco.

Grade has depth as well as width and height. Three-dimensional form is the footing of sculpture, furniture, and decorative arts. Iii-dimensional forms can be seen from more than 1 side, such as this sculpture of a rearing horse.

Geometric shapes and forms include mathematical, named shapes such as squares, rectangles, circles, cubes, spheres, and cones. Geometric shapes and forms are oft homo-made. However, many natural forms likewise have geometric shapes. This cabinet is decorated with designs of geometric shapes.

Organic shapes and forms are typically irregular or asymmetrical. Organic shapes are often found in nature, but human being-made shapes can also imitate organic forms. This wreath uses organic forms to simulate leaves and berries.

Infinite

Real space is three-dimensional. Space in a work of art refers to a feeling of depth or 3 dimensions. It tin can also refer to the artist's utilize of the area inside the moving-picture show plane. The area effectually the main objects in a work of fine art is known as negative space, while the space occupied by the chief objects is known equally positive space.

Positive and negative space
The relationship of positive to negative space tin greatly affect the bear upon of a work of art. In this drawing, the homo and his shadow occupy the positive space, while the white space surrounding him is the negative space. The disproportionate amount of negative infinite accentuates the figure'south vulnerability and isolation.

Three-dimensional space
The perfect illusion of three-dimensional space in a two-dimensional piece of work of fine art is something that many artists, such as Pieter Saenredam, labored to achieve. The illusion of space is accomplished through perspective drawing techniques and shading.

Color

Light reflected off objects. Colour has three primary characteristics: hue (reddish, green, blue, etc.), value (how light or night it is), and intensity (how vivid or ho-hum it is). Colors tin can be described every bit warm (red, yellowish) or cool (blue, gray), depending on which end of the color spectrum they fall.

Value describes the brightness of color. Artists utilize color value to create different moods. Nighttime colors in a limerick suggest a lack of light, as in a nighttime or interior scene. Dark colors can often convey a sense of mystery or foreboding.

Light colors oft describe a light source or light reflected within the composition. In this painting, the nighttime colors suggest a night or interior scene. The creative person used light colors to describe the light created by the candle flame.

Intensity describes the purity or strength of a color. Brilliant colors are undiluted and are oft associated with positive energy and heightened emotions. Dull colors have been diluted by mixing with other colors and create a sedate or serious mood. In this image the artist captured both the seriousness and the joy of the scene with the dull grey stone interior and the bright red drapery.

Texture

The surface quality of an object that nosotros sense through touch. All objects accept a physical texture. Artists tin can also convey texture visually in two dimensions.

In a two-dimensional work of fine art, texture gives a visual sense of how an object depicted would feel in real life if touched: difficult, soft, rough, smooth, hairy, leathery, sharp, etc. In three-dimensional works, artists utilize actual texture to add a tactile quality to the work.

Texture depicted in ii-dimensions
Artists utilize color, line, and shading to imply textures. In this painting, the homo's robe is painted to simulate silk. The ability to assuredly portray fabric of different types was one of the marks of a great painter during the 17th century.

Surface texture
The surface of this writing desk is metallic and hard. The difficult surface is functional for an object that would have been used for writing. The smooth surface of the writing desk reflects light, calculation sparkle to this piece of article of furniture.

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Source: https://www.getty.edu/education/teachers/building_lessons/formal_analysis.html

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